One idea was to have light extending from the image int the negative space on the spread, in order to give the sense of movement. Or, similarly, have lines which mimic those featured in the photographs featuring in the background, behind the photographs in order to continue the sense of movement from these, as well as adding an extra element of 'decoration' to the page. However, it was also considered that this may distract the reader from the photographs which should be the main focus.
Another idea in creating a pace was to include a fold-out, concertina section in the middle of the book in order to create a break between photographs that allows readers to think about what they have just viewed, allowing a deeper engagement with the content. This section could be a homage to Ed Ruscha, featuring Akshay's homage series of photographs.
Pace and breaks could also be made through the use of different paper stocks throughout the book in its production. For instance, including the occassional black coloured stock page to break up the white. Or perhaps a black stock could be used throughout in order to convey the sense of night which feature in Akshay's photographs. However, this use of black may be a problem in use with the photography, since this is all very dark in nature and therefore the stock colour may diminish the quality and communication of these photographs. Therefore, perhaps this idea could be used for interludes which feature pages of text.
Other ways to create movement:
1. Add repeating elements - repeating patterns and elements in your designs make an otherwise stale and stagnant photo pop with motion. Consider photos with patterns or repeating elements as well as direction.
2. Perspective - this tricks the eye into thinking movement. Cropping also plays a major role in depth and motion perception.
The 'F' Pattern:
There is the well-known effect of the 'F' pattern, where readers will scan the page from top to bottom and left to right, paying more attention to the left than the right, roughly in the shape of an 'F'. This is backed by research and a number of scientific studies. This mainly applies to text heavy pages however it is something to keep in mind when exploring layout.
Visual Weight and Hierarchy:
Larger elements will naturally draw the eye. The use of size and scale is an important part of creating a visual hierarchy that will guide the eye through the design. Grouping related elements and creating a perceived visual weight using contrasting fonts, weights and colours helps to prioritise the most important information.
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